NICOLO SANTONE BY NICO QUINTEROS Nicolo Santone is an Australian model who recently arrived in Europe to start building his career on this side of the world. For me, it was a real privilege that he chose my camera for his first editorial in Europe. There is something very special about being part of someone’s first steps in a new place, especially when that person arrives with openness, curiosity, and the desire to learn. From the beginning, Nicolo brought a very calm energy

There are cities that do not need to be explained.London is one of them. It appears here through brick walls, wet gardens, quiet streets, heavy trees and the soft grey light of an afternoon that feels suspended in time. In Peter, photographed by Nico Quinteros, the city becomes more than a backdrop. It becomes a mood, a pulse, a silent witness. Peter moves through the images with a calm intensity. His presence is physical, but never forced. There is strength in his body, but

There is a playful tension running through Agustin. A white sheet as backdrop.A red sweater.A black cap. Film borders, close-ups, gestures, faces, fragments. Photographed and styled by John Zalazar, the editorial feels like an intimate visual diary — raw, theatrical and quietly rebellious. The images move between fashion portraiture and personal performance, capturing Agustin in a space where innocence and attitude live side by side. Agustin shifts constantly in front of the

There is something beautifully restless in Facundo. A basketball court.A metal fence. Red shorts, worn sneakers, dry leaves on the ground.A body moving between sport, heat and desire. Photographed by Nicolás Viglietti, the editorial follows Facundo Garello through an outdoor court that feels familiar, almost nostalgic. The images carry the texture of a late afternoon in the city: dusty colors, green metal structures, faded trees and the quiet tension of a boy caught between p

There is a directness in Struck. A body against a dark wall. Skin caught by flash.A face looking straight into the camera.Light hitting the chest, the shoulders, the eyes — then falling back into shadow. Photographed by Marcos Yacob, the editorial moves through a language of intensity and restraint. Paul Fuks appears almost sculptural, but never distant. His presence is physical, immediate and controlled, shaped by the tension between exposure and darkness. The images feel st

San Juan feels like a memory burned by the sun. A boy standing over the hills of Rancagua. Blue sky, dry earth, distant mountains. Skin touched by heat.A body alone inside the landscape. Photographed by Fabrizzio Valenzuela, the series follows Alfredo through San Juan Hill in Rancagua, Chile. The images move with the stillness of late afternoon: warm light, open air, silence, and the quiet tension of a body exposed to nature. There is something almost mythic in the way Alfred

There is a strange softness in I Do Believe in Fairies. A face held between both hands.A body wrapped, hidden, revealed.Denim becoming costume, shield and gesture.A boyish presence suspended somewhere between fashion, play and confession. Photographed and styled by John Zalazar, the editorial moves through a visual language that feels intimate, awkward, tender and quietly surreal. Joaquin does not appear as a classic masculine figure. He appears as something more fragile and

There is a fever inside Free Will. A face cut by orange light.A body caught between shadow and heat. Hands raised, skin exposed, neon burning in the dark. Mariano Nigrelli moves through a visual language of instinct and control. The images feel raw, urban and cinematic — part street, part dream, part private ritual. Nothing is fully revealed. Everything is suggested through fragments: a mouth in the dark, a tattooed leg under the sun, a face disappearing into red light. The s

There is something immediate about Adrian. The white tank top.The dark trees.The body caught between sunlight and shadow.A gaze that feels young, direct and quietly aware of its own power. Photographed outdoors, the series moves through a language of strength and softness: hands gripping metal rings, fabric lifted against the skin, a bare chest framed by trees, a face touched by light. Adrian’s presence feels physical, athletic and alive, but never overly performed. In black

Valentin appears in the light almost like a study in contrast. Soft curls.Pale skin.Blue eyes fixed on the camera.A body shaped by tension, gesture and silence. Photographed by Alejandro Ramirez, the editorial moves between clean studio intimacy and stripped-down sensuality. Valentin’s presence is direct, almost sculptural, but never cold. His body is exposed with a quiet precision: arms lifted, hands framing the face, shoulders open, eyes refusing to disappear. There is a so

There is a quiet tension in Ale. A body turned away.A shoulder catching the light.A face half-hidden in shadow.The softness of skin against denim, towel, wall, silence. In this editorial, Ale moves between exposure and distance — never fully giving himself away, never completely disappearing. His presence is physical, but restrained. Masculine, but not hard. Sensual, but not obvious. Photographed in black and white and muted tones, the series explores the body as a private la